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The table Arc embodies the innovative concepts which distinguish it. The base shape is inspired by the technostructures currently used in modern building: a new “light” cement which mixes colour and a special fi brous material obtaining resistant structures with a low specifi c weight. Printed in a single block and dyed. It allows the manufacture of complex shapes, the Arc table combines the structural characteristics of strength and elasticity with innovative concepts such as complete recyclability and low environmental impact of the production cycle.
The concept behind the Charles is to have a high seat modular sofa with all the elements available in different forms, types and sizes. Linear and corner compositions have been developed with these elements in mind, especially for the chaise lounge end units. The Charles’ peninsula-style compositions look especially beautiful as the centerpiece of a room. The single-seat cushion, the free pillows placed on the backrest and the pure lines of the die-cast aluminium feet give the Charles sofa a decidedly modern feel.
Now available in American King and Queen sizes, the Charles bed conserves the classic “inverted-L” shaped aluminium feet that are the distinguishing trait of the entire product family. The Charles uses a pressed and curved beechwood slatted base to provide independent support for continued comfort.
The components are characterized by a simple design of reduced thickness that offers specific details and a wide array of materials and finishes. The table tops range from the reflections of glass to compact marbles onto the different grains and colours of wood: available in quick ship program the rectangular version 250 cm, with glossy frisé eucalypt top and black chrome die-cast aluminium base.
Edward Barber & Jay Osgerby first project for B&B Italia was Tobi-Ishi, a round dining table clearly inspired by Zen. The design duo are great enthusiasts of Japanese art and culture and the name and concept for this table came from the smooth stones (tobi-ishi) used as ornaments in traditional Japanese Zen gardens. The overhang of the table and the vertical trapezoidal bases set at right angles generate an essential sculptural figure that appears to change shape depending on the point of observation.