The armchair was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57). It is part of the Gio Ponti Collection, which was curated by Molteni&C under the artistic direction of Studio Cerri & Associati. The architecture reflected the ideas he had gathered during his trips to Latin America in 1952-53. Today the armchair, which is like a cosy shell, has a rigid polyurethane frame, a soft polyurethane counter-frame and a cushion, and is upholstered in the Molteni&C textile range, with the option of differentiating the three component parts. In 2016 this “love chair” won the prestigious Wallpaper Design Awards and became a Molteni&C icon. Wallpaper* Design Award 2016
The components are characterized by a simple design of reduced thickness that offers specific details and a wide array of materials and finishes. The table tops range from the reflections of glass to compact marbles onto the different grains and colours of wood: available in quick ship program the rectangular version 250 cm, with glossy frisé eucalypt top and black chrome die-cast aluminium base.
VINCENT VAN DUYSEN
Paul is a seating system with elegant proportions and reassuring lines. A lightweight image, marked with distinctive double stitching and accentuated by the essential design of the die-cast aluminium feet. Elements with a generous width complete the system to guarantee comfortable seating with a welcoming and luxurious look.
Designed for those who love comfort and modernity, intended to be an evergreen, the Michel seating system mirrors the design philosophy of its designer who shows a preference for simple shapes – pure and elegant in their linear form without any additional decoration to underscore the concept of function. The many elements can create both formal and social configurations in an extensive range of sizes.
Edward Barber & Jay Osgerby first project for B&B Italia was Tobi-Ishi, a round dining table clearly inspired by Zen. The design duo are great enthusiasts of Japanese art and culture and the name and concept for this table came from the smooth stones (tobi-ishi) used as ornaments in traditional Japanese Zen gardens. The overhang of the table and the vertical trapezoidal bases set at right angles generate an essential sculptural figure that appears to change shape depending on the point of observation.