Lithos
Square, rectangular or circular in shape and set in the centre of a room or next to the sofa, the Lithos collection include tables with tops in black Portoro marble, black marquinia marble, white Calacatta marble and beige travertine marble. They are also available in a wooden version with slatted upper and lower surfaces in grey oak, brown oak, light brushed oak or black brushed oak finishes. The frame is in painted bronzed nickel steel. Through this program it is available as a square low table 35 x 35” with a Calacatta marble top.
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Alys
A sheet of leather “pinched” in two places at the base: here is where the movement and natural inclination of the headboard originate. It has a comfortable and protective shape with remarkable formal simplicity and very thin sides marked by a lengthwise seam. The bed surface, which can be adjusted to two heights, has an effect of suspension and floating of the super-comfortable mattress.
Charles Large
The concept behind the Charles is to have a high seat modular sofa with all the elements available in different forms, types and sizes. Linear and corner compositions have been developed with these elements in mind, especially for the chaise lounge end units. The Charles’ peninsula-style compositions look especially beautiful as the centerpiece of a room. The single-seat cushion, the free pillows placed on the backrest and the pure lines of the die-cast aluminium feet give the Charles sofa a decidedly modern feel.
Harbor
Naoto Fukasawa continues his research on upside-down truncated cone shaped seats, and, for this project addresses B&B Italia’s need to explore the seating with armrests. Two forms are ergonomically designed and developed to obtain a relaxing easy armchair with a high back and headrest, and a conversation armchair with a low back. Through this program it is available the low back version.
Tobi-Ishi
Edward Barber & Jay Osgerby first project for B&B Italia was Tobi-Ishi, a round dining table clearly inspired by Zen. The design duo are great enthusiasts of Japanese art and culture and the name and concept for this table came from the smooth stones (tobi-ishi) used as ornaments in traditional Japanese Zen gardens. The overhang of the table and the vertical trapezoidal bases set at right angles generate an essential sculptural figure that appears to change shape depending on the point of observation.