Mirto Indoor
The components are characterized by a simple design of reduced thickness that offers specific details and a wide array of materials and finishes. The table tops range from the reflections of glass to compact marbles onto the different grains and colours of wood: available in quick ship program the rectangular version 250 cm, with glossy frisé eucalypt top and black chrome die-cast aluminium base.
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Ray
A successful design strategy that achieves a balance of functional and aesthetic features, and entrusts the details to the right role: the Ray seating system is designed for a long life. Modular, available in two depths, with an extensive compositional range that includes linear and corner elements, a chaise lounge and ottoman. It stands out due to the tailoring detail of the blanket stitch that runs along the profiles of the cover, both in tonal and in contrasting hues.
Charles Large
The concept behind the Charles is to have a high seat modular sofa with all the elements available in different forms, types and sizes. Linear and corner compositions have been developed with these elements in mind, especially for the chaise lounge end units. The Charles’ peninsula-style compositions look especially beautiful as the centerpiece of a room. The single-seat cushion, the free pillows placed on the backrest and the pure lines of the die-cast aluminium feet give the Charles sofa a decidedly modern feel.
Harbor
Naoto Fukasawa continues his research on upside-down truncated cone shaped seats, and, for this project addresses B&B Italia’s need to explore the seating with armrests. Two forms are ergonomically designed and developed to obtain a relaxing easy armchair with a high back and headrest, and a conversation armchair with a low back. Through this program it is available the low back version.
Tobi-Ishi
Edward Barber & Jay Osgerby first project for B&B Italia was Tobi-Ishi, a round dining table clearly inspired by Zen. The design duo are great enthusiasts of Japanese art and culture and the name and concept for this table came from the smooth stones (tobi-ishi) used as ornaments in traditional Japanese Zen gardens. The overhang of the table and the vertical trapezoidal bases set at right angles generate an essential sculptural figure that appears to change shape depending on the point of observation.