Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino. Series of small tables with extra-light transparent crystal top, available in various sizes and marked by both a monochrome finish, american walnut or black oak, and by a bi-colour finish. Complex but essential shapes, “open box” table, of which we can only see the contours, able to integrate into all furnishing solutions with character.
The concept behind the Charles is to have a high seat modular sofa with all the elements available in different forms, types and sizes. Linear and corner compositions have been developed with these elements in mind, especially for the chaise lounge end units. The Charles’ peninsula-style compositions look especially beautiful as the centerpiece of a room. The single-seat cushion, the free pillows placed on the backrest and the pure lines of the die-cast aluminium feet give the Charles sofa a decidedly modern feel.
Naoto Fukasawa continues his research on upside-down truncated cone shaped seats, and, for this project addresses B&B Italia’s need to explore the seating with armrests. Two forms are ergonomically designed and developed to obtain a relaxing easy armchair with a high back and headrest, and a conversation armchair with a low back. Through this program it is available the low back version.
STUDIO HANNES WETTSTEIN
Reversi ‘14 reveals a strong, rational personality and affirms its reputation for comfort and warmth. The 3-position backrest mechanism makes it possible to change the seat depth to create a rational space for work and a welcoming space for relaxing – both on the same sofa. Reversi ‘14 offers excellent modular solutions – its logical components can be assembled in a wide range of compositions that include linear elements, corner elements, chaise longue pieces and poufs. The structure in polyurethane foam in different thicknesses holds comfortable seat cushions. Backrests are organised in two configurations: cushions adjacent to one another to occupy all available space, and cushions spaced apart.
A sheet of leather “pinched” in two places at the base: here is where the movement and natural inclination of the headboard originate. It has a comfortable and protective shape with remarkable formal simplicity and very thin sides marked by a lengthwise seam. The bed surface, which can be adjusted to two heights, has an effect of suspension and floating of the super-comfortable mattress.